Immerse yourself in a century of Japanese photography through the lens of its defining magazines. “Japanese Photography Magazines: 1880s to 1980s” uncovers the rich heritage of Japanese photography, offering a unique perspective beyond Western interpretations. This comprehensive volume is an invaluable resource for researchers, students and photography enthusiasts alike. A tremendous amount of thought and editorial effort has been invested into the organization and selection process for this book to provide the reader with a deep understanding of Japan’s distinctive photography history. Selected Highlights to Explore: Social change and identity: See the evolution of Japan’s sense of self through student protests, counterculture movements, social studies of ancient rituals, and a changing landscape in the work of Hiroshi Hamaya, Shomei Tomatsu, Ikko Narahara, Kazuo Kitai, and Koji Taki. Experimental visions: Delve into avant-garde styles, from abstract surrealism of prewar Japan to gritty photojournalism, represented by masters like Ken Domon and Ihei Kimura. Technical advancements: Discover the impact of W.W.II on the development of Japan’s camera manufacturing and magazine industry, as well as the broad adoption of street photography as photojournalism. The “Eizo-ha” generation: Learn about postwar photographers who presented a new relationship with images as well as cross-disciplinary approaches to Butoh dance and literature. Independence: Get to know how photographers independently produced magazines and organized exhibition spaces in the 70s & 80s, forming small collectives that changed the course of photography. Influential voices: Read translated writings by photographers, critics, and poets like Eikoh Hosoe, Shuji Terayama, and Shuntaro Tanikawa, offering insights into the creative discourse. Provoke’s B-side: Discover how the collective produced another publication, with contributions from Daido MORIYAMA, Takuma Nakahira, and Yutaka Takanashi. Photobooks: Discover how the magazine industry was integral to the development of Japan’s unique photobook culture. Landmark publications: Immerse yourself in the pages of seminal magazines like Shashin Shinbun (1887), Asahi Graph (1923), Camera Mainichi (1956), and Provoke (1968), and Nobuyoshi Araki’s Shashin Jidai (1981), experiencing the evolution of visual storytelling, editorial design, and graphic design. Comprehensive: Experience complete reproductions of iconic works, including a full reproduction of Masahisa Fukase’s “Ravens,” complete with authorized translations of his accompanying texts. With over 1,500 illustrations across 500 pages, this book transcends Western narratives, providing a nuanced understanding of the distinct character of Japanese photography.
Author : Kaneko Ryuichi, Toda Masako, Ivan Vartanian
Publisher : Goliga
Release : 2022
Edition :
ISBN : 978-4991276101
